Artist Profile
Ntlonti’s work, which spans across painting, performance, sculpture and sound, is preoccupied with structural impossibility and limit....
Exploring identity, heritage, and contemporary expression through mixed media and textile traditions
I am a storyteller. My work speaks to histories that are difficult heavy—trauma, loss, and the violence inflicted on Black bodies across generations—but I approach them with a sensitivity that allows for both nuanced readings. Central to my practice is the examination of intergenerational trauma, where personal memory and public memory meet, and where silence has long tried to erase pain.
By juxtaposing the experiences of my grandfather with my own, I expose Black pain as a continuous thread—stretching from apartheid into contemporary South Africa—still silenced by denialism that enacts new forms of violence on the Black body. My work voices this pain, refusing erasure, and insists on remembrance.
Family history is the backbone of my practice. I return to the Eastern Cape, to its landscapes, to the stories passed down by my grandmother, to the wisdom of the women in my family, and even to the truths that come to me in dreams. These stories—whether whispered, lived, or dreamt—anchor me in who I am and where I come from.
Material wealth is not plentiful where my family is from but I investigate beauty within my culture, where minimalism is not about lack but about living fully with what is at hand. In this way, art reflects life: we build, we eat, we survive, we create. My process is one of chiseling, reshaping, searching for the form that can carry the depth of what I want to say.
I do not claim that my art offers solutions. The act of making is itself cathartic: a journey of healing, a confrontation with hidden truths, and a transformation of silence into voice. Through art, I carve space for stories to be told, remembered, and witnessed.
I enjoy using found objects, something that has had a different use and refurbish it to something else to add more flair into my work.
Solo exhibitions including "Inzonzobila", "Vuthulula" and "Nothwala Impahlana" showcasing evolved techniques combining traditional textile methods with contemporary painting practices.
In 2019 Ntlonti attended a residency at the South African Foundation for Contemporary Art (SAFFCA) in Knysna and Saint Emilion, France. Ntlonti's work has been exhibited widely in South Africa and abroad.
She was awarded the 2018 Young Female Residency by The Project Space, a non-profit cultural institution founded by the late Benon Lutaaya in Johannesburg, South Africa.
She graduated from the University of Cape Town's Michaelis School of Fine Art with a Bachelor of Fine Arts in 2017, where she majored in sculpture. Complementary to this she was also part of a performance collective called iQhiya. "I fell in love with performance," says Asemahle. "My work is performance, sculpture and recently painting."
Combining traditional painting techniques with textile materials, creating rich, layered compositions that invite both visual and tactile engagement.
Incorporating cotton, leno thread, and other textile elements into painted works, bridging traditional craft with contemporary art.
Creating works that explore the relationship between place, memory, and identity through abstracted landscape forms.
Deep engagement with cultural traditions and their contemporary relevance, informing both concept and technique.
Ntlonti’s work, which spans across painting, performance, sculpture and sound, is preoccupied with structural impossibility and limit....
"I use art as a way of knowing who I am and where I come from."
Her evolving paintings, which can be read as idiomatic translations of rustic walls and topographical maps, are her means of maintaining her connection with the rural culture of her forebears...
Ntlonti gradually builds up her works on canvas by intuitively applying and stripping away material to reveal chance compositions which refer to the textures and hues of the vernacular cob architecture found in the Eastern Cape of South Africa.
Interested in collaborating, purchasing work, or learning more about my artistic practice? I'd love to hear from you.
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